FOREIGN FILMS. “Sirat.” / “Brick.” / “Knocking.” / “Mont Foster.” / “Infierno Grande.”

“Sirāt” (2025, Hulu) Spanish/French drama road film. About a father who is in search of his missing daughter along with his son and a group of ravers in the deserts of southern Morocco. 


       This disturbing movie won several accolades at the 40th Goya Awards. At the 98th Academy Awards, it was nominated for Best International Feature Film and Best Sound. “Sirat” also received honors in 2025's Cannes.

       This movie is a wicked reminder of friendship and isolation as it also shudders with the horror of abandoned mines in war-wasted geographies as refugees journey to safer grounds, and peace. 

       But there are no gunfires in this movie. Or humans in beastly combat. But emaciated travelers mostly dance in trance to electronica music. An inventive cinematic take by director Oliver Laxe. The sound of pounding bassline beats the conscience louder than an exploding bomb in the desert. 🎥💻📽


“Brick” (2025, Netflix) German mystery-thriller. A couple's apartment building is suddenly surrounded by a mysterious brick wall and must work with their neighbors to find a way out. 



       The start intrigued me but that's it. There's supposed to be some Armageddon of sorts that happened (or some shit) and people are trapped inside a building by a “supernatural” wall that can be controlled or manipulated by an app? Or some shit on your cellphone. I wasn’t really sure what's going on. 

        Because, apart from the obvious, I don’t really know what this movie is saying or trying to say. The characters’ initial response to some shit is obvious but after that, I don't get the rationale of their behavior twists. That's all.

        Writer/director Philip Koch is a confused computer nerd, I think. Or some shit. 🎥💻📽


“Knocking” (2021, Tubi) Swedish thriller. A traumatized woman seeks the truth behind mysterious knocking noises from the apartment above her. 



       The slow-burn intrigue of this indie thriller, directed by Frida Kempff, captivates like an electric shock crawl. In the background is a social issue that creeps and bothers as a traumatized woman channels reality and delusion.

       The majority of the movie's horror and warmth is channeled in Cecilia Milocco's closed-up shots. Powerful acting. 🎥💻📽


“Mont Foster” (2019, Tubi) Canadian/French drama. Freely adapted from the poem “Erlkönig” by Goethe, the film is about a couple spending time at an isolated cabin in the country, where the wife slips into insanity after seeing and hearing strange visions. 


       The film received two Iris Award nominations at the Quebec Film Awards in 2021, for Best Actor (Patrick Hivon as Mathieu, the husband) and the Audience Award. The better performance though was by Laurence Leboeuf as Chloe, the wife. 

       But other than the acting and the suggested symbolism (or poetry) behind Chloe's mental crisis, there's really no “middle” and “end” to this movie. 🎥💻📽


“Infierno Grande” (2019, Tubi) Argentine drama/road movie about María, a pregnant teacher who flees her violent husband in a small town in La Pampa to start a new life, journeying through the remote Pampean desert to the ghost town of Naicó. 



       This little film, written and directed by Alberto Romero, is all about underlying symbols: Emancipation, motherhood, courage and survival. Sans meandering ruminations or confectionary moralism. Just a simple, straight to the gut narrative. And Guadalupe Docampo's subtly nuanced performance essay of María. 🎥💻📽


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INDIES: “A Small Fortune.” / “Sweet Virginia.” / “Goodland.” / “Slow West.”